Net Lace: A Companion Edition I often use the triptych form in my paintings and prints. I follow this traditional form I first saw in
A Studio Tradition Every autumn I collect leaves from the garden and on my daily rambles. I make botanical prints from my collection, memorializing the
Monoprints: The Early Years I discovered mono printing in 2004 in a printmaking course at the Victoria College of Art with Alain Costaz. It wasn’t
I moved to Victoria in 1985 and discovered the region by driving around in my blue 1960’s Volvo station wagon. I used a map book
Digging deeper into my blues archive finds this painting from my ‘Totem’ triptych. ‘Totem One’ 1999 24 x 36″ acrylic on canvas This is one
My passion for blue pigment has been part of my studio practice for decades. What follows in the next posts is my blue works time
Meta Incognita – Unknown Limits My recent print installation was part of the Ground Zero Printmakers annual group show at Fifty Fifty Arts Collective Gallery
Ground Zero Printmakers Check out our group show at the Fifty Fifty Arts Collective beginning on 16 February. Twenty one artists address the theme of
The Rubell Family Collection First of all, it’s a perfect adaptation. The Rubell building. It’s impressive. The Rubell Family Collection is housed in a re-purposed